Journal of the stylistic of Persian poem and prose
volume Number 16، number In Volume 1، Apeil 2023 ، issue Number 83

Introduction, review and stylistic analysis of the "Seb’e Sanabel" manuscripts by Mir Abd al-Vahed Belgrami

Effat Jalali Sarvestani , Mohammad Hadi Khaleghzadeh (Author in Charge), Mohammad Reza Masoumi

Abstract

BACKGROUND AND OBJECTIVES: Mir Abdul Wahed ibn Ibrahim ibn Qutbuddin ibn Mahro Belgrami is one of the most experienced and Sufi scholars in India whose mystical teacher is Chishti and the book "Sab’e Sanabel" is one of his works. The purpose of this article is to introduce, study and analyze the style of "Sabea Sanabel" manuscript. Correction of manuscripts and revival of these texts is one of the most important and fundamental fields of research in Persian language and literature.

METHODOLOGY: This article has been done in a descriptive-analytical method by document and library methods. Also, while introducing the author, his works, intellectual and mystical foundations, the manuscript of "Sab’e Sanabel" has been introduced in detail and has been criticized in terms of style.

FINDINGS: The author has been very much influenced by the Arabic language in composing this work. This is confirmed by the high frequency of Arabic words, Arabic, blue, and imitation of the context of the Arabic language in writing Persian sentences. Intellectually, the author has paid more attention to the customs, thoughts and intellectual foundations of the Chishti way than anything else. In terms of aesthetics and use of literary arrays, however, it has not been very successful and the frequency of arrays and rhetorical forms such as irony, simile, metaphor and all kinds of puns in this text is very low.

CONCLUSION: Belgrami has shown interest in using the characteristics of the ancient language and many manifestations of the ancient Persian language can be seen in Sab’e Sanabel. On the other hand, the excessive mixing of the language of this work with the Arabic language sometimes makes it difficult to understand the text. Nevertheless, in some parts of the text, especially in the narration of anecdotes, the language has become simple. Except in the preface and a few cases in the original text, we do not encounter the richness of rhetorical industries in the prose of this work; Although there are about 600 bits in this work, this frequency sometimes causes confusion and scattering of thought and order and coherence of the content.

Keyword
Sab’e Sanabel , Mir Abdul Wahed Belgrami , Manuscript , Stylistics.

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